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The Greatest Romantic of All Time...
  "Tell me, my leetle pigeon,  where have I been all of your life?"
   Pepe LePew was one of the signature cartoon characters of Chuck Jones.  This skunk with an overactive libido did not start out in the form that he is known today.  In Odor-able Kitty (Jones, 1945), the character
is revealed to be a fraud, with a midwestern accent and a wife with two kids.  Jones wisely decided to bring back the character without these handicaps, and the fetid Frenchman won Jones his only Oscar for a Warner-released theatrical cartoon, "For Scent-imental Reasons" (1949) in spite of the fact that Eddie Selzer, the producer, hated the character.
   While most of the Pépe cartoons tend to look alike and have similar plots, there is enough fun in the fractured French to liven up the shorts, preventing them from becoming mere Speedy Gonzales cartoons in a different Romance 
language (so to speak).  A funny twist on the usual cat-gets-painted routine comes in Dog Pounded (Freleng, 1954), in which Sylvester makes a bid for Tweety disguised with white paint as a skunk. His ploy succeeds in scaring away the dogs, but winds up attracting Pépe!
   The character is partly a spoof, in both name and manner, of Charles Boyer’s "Pépe le Moko" who appears in such films as "Algiers."  Pépe did, however, spoof Maurice Chevalier in at least one cartoon, "Scent-imental Romeo" (1951).
   There is one somewhat unusual Pépe cartoon, "Odor of the Day" (Davis, 1948), that has a practically silent Pépe. The short makes no use of the “Franglais” dialogue that marks the Jones efforts, though this does not, by any means, make it an inferior cartoon.
   Most Pépe cartoons in which a locale is specified take place either in France or a French-speaking area, such as New Orleans in "Really Scent" (1959) or Algeria/Sahara in "Little Beau Pépe" (1952).  One cartoon, "Scent-imental Over You" (1947), takes place in New York City, on the Upper East Side.
   Pepe LePew is a reminder that there is indeed a humorous side to romance.  Most of us can relate to those experiences in our lives where we were making our best attempt at being seductive or charming and either blew it or ended up looking a bit rediculous.  It's the risk we take when trying to attract another person.  However, unlike Pepe, the vast majority of us will eventually catch our "Kitty" and go on to enjoy a happy and fulfilling primary relationship.  Still, wouldn't it be better to make a few mistakes along the way rather than never really know the joys of love and romance at all?
    "Why, ma Cherie!  Of course, for it is love, darling, that makes the world go 'round, my leetle cupcake."
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Filmography
(all Jones unless otherwise noted)
Odor-able Kitty (1945) 
Scent-imental Over You (1947) 
Odor of the Day (Davis, 1948) 
For Scent-imental Reasons (1949) 
Scent-imental Romeo (1951) 
Little Beau Pépe (1952) 
Wild Over You (1953) 
Dog Pounded (Freleng, 1954) cameo 
The Cats Bah (1954) 
Past Perfumance (1955) 
Two Scents Worth (1955) 
Heaven Scent (1956) 
Touche and Go (1957) 
Really Scent (Levitow, 1959) 
Who Scent You? (1960) 
A Scent of the Matterhorn (1961) 
Louvre Come Back to Me (1962)
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Marilyn Monroe
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The Tragic Life of a Beautiful
Woman Who Sought Love,
Found It Again & Again,
Only to Lose It and Her Life
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   Norma Jeane Baker (her real name) spent most of her childhood in foster homes and orphanages until 1937, when she moved in with a family friend, Grace Goddard.  When Grace's husband was transferred to the East Coast in 1942, the couple couldn't afford to take 16-year-old Norma Jeane with them.  She had two options: return to the orphanage or get married. 
   As a result, she wed her 21-year-old neighbor, Jimmy Dougherty, whom she had dated for six months.  By all accounts Norma Jeane loved Jimmy and they were happy together until he joined the Merchant Marines and was sent to the South Pacific in 1944. 
  After Jimmy left, Norma Jeane took a job on the assembly line at a munitions factory.  Several months later, photographer David Conover saw her while photographing women who were contributing to the war effort for Yank magazine.  He couldn't believe his luck as she was a photographer's dream.  The camera loved Norma Jeane and within two years she was a reputable model with many popular magazine covers to her credit.  She enrolled in drama classes with dreams of stardom.  However, Jimmy's return in 1946 meant Norma Jeane had to make another choice--this time between her marriage and her career. 
   Norma Jeane made her decision and divorced Jimmy and signed her first studio contract with Twentieth Century Fox on August 26, 1946.  She earned $125 a week.  Soon after, Norma Jeane dyed her hair blonde and changed her name to Marilyn Monroe (using her grandmother's last name).
   Marilyn's first movie role was a bit part in 1947's The Shocking Miss Pilgrim. She played a series of inconsequential characters until 1950, when John Huston's thriller The Asphalt Jungle provided her with a prominant role. She continued to take roles 
in a series of more successful films.
   However, it was her part in the movie Niagara which marked her as a star, resulting in lead roles in films which became classics like Gentlemen Prefer Blondes and How to Marry a Millionaire.  Photoplay magazine voted Marilyn the Best New Actress of 1953 and, at 27 years old, she was undeniably the best-loved blonde bombshell in Hollywood.
   In early 1954, Marilyn married baseball superstar Joe DiMaggio at San Francisco's City Hall. They had been a couple for two years after Joe asked his agent to arrange a dinner date. "I don't know if I'm in love with him yet," Marilyn said when the press got word of their relationship, "but I know I like him more than any man I've ever met."  During their Tokyo honeymoon, Marilyn took time to perform for the service men stationed in Korea.  Her presence caused a near-riot among the troops, and Joe was clearly uncomfortable with thousands of men ogling his new bride. 
   Unfortunately, Marilyn's fame and sexual image became a theme that haunted their marriage.  Nine months later, they divorced.  They attributed the split to a "conflict of careers," and remained close friends. 
  In mid-1956, Marilyn wed playwright Arthur Miller.  While they were married, Arthur wrote the part of Roslyn Taber in 1961's The Misfits especially for Marilyn. The movie co-starred Clark Gable and Montgomery Clift. Sadly, the marriage between Marilyn and Arthur ended on January 20, 1961, and The Misfits was to be Marilyn's (and Gable's) last completed film. 
   In a shocking turn of events on the early morning of August 5, 1962, 36-year-old Marilyn died in her sleep at her Brentwood, California home.  The world was stunned. Marilyn's vibrant spirit and beauty made it impossible to believe she was gone. They mystery surrounding her death as being either accidental, suicidal, or the result of a conspirecy continues to be argued to this day.
   During her career, Marilyn made 30 films and left one, Something's Got to Give, unfinished.
   She left her life and loves unfinished as well.
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Romanceopedia
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   The mission of this not-for-profit website is to promote clear insights and toleration regarding the many variations of primary relationships that exist in our world.  We ask for neither acceptance or approval but hope that each visitor who reviews the pages of this site will leave them with a better understanding of the numerous cultural, historical, preferential, religious, sexual, and sociological approaches to coupling that have always existed and will continue to exist as long as there are at least two human beings living on this planet.  If the effort put into creating and maintaining this site results in others coming to the realization that the basic human need to love and be loved takes on many forms which are accepted by those who practice them, whether right or wrong as determined by the personal belief system of others, then it will have served it's purpose well.
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